Lynn B. Starnes

Lynn B. Starnes
I have worked as an ecologist for almost 40 years. I started my career working with surface mining in the 1970’s as return to original contour became the law of the land. Talk about taking textbook theory and learning how to apply principles innovatively and then waiting to see if they worked! My work has allowed me to explore the wildest habitats in North America, Africa and South America. I have been privileged to work with several endangered species and that has allowed me candid photographs of them. The advantage of being a biologist first and a photographer second is my knowledge of animal behavior and habitats. I see animals I am studying eating, sleeping, in their mating rituals, and even playing. Most tourists who visit wild lands rarely have the time to let animals acclimate to their presence so they rarely see animals being wild, relaxed animals. I consider myself to be an “ambush photographer.” Unlike a studio photographer who takes human portraits, I cannot “pose” my animals for that perfect photograph. I always tease that I don’t make as much money as a studio photographer but my animals never complain that I made them look fat or their butts too large! In fact my wild animals are anything but posed! So, I must make my animal photographs through great patience and basically waiting for the animal to exhibit postures that I think are expressive. Timing is of great importance. The expression of the animal, such as the eyes looking directly in to the lens, or the position of the body, will make the difference between a successful and unsuccessful photograph. When I am watching an animal through my camera, I look for that “perfect combination of head, legs (or wings) and eyes, in hopes of recording a scene that I think is “perfect.” Knowing when to take that photo is difficult as most animals have eyes or ears that are always in motion – ever alert for that sign of danger.   The longer that I am with an animal, the greater the opportunity for me to get an intimate photograph as the animal begins to acclimate to my presence. Sometimes, being motionless and passing up early photographs of the animal is my key to great photographs. Other times, I use wildlife calls and hunting techniques to convince the animal that I am another wildlife species. Determination, persistence, skill, and of course luck, are all factors in whether the images captured are unique and expressive or not. Hopefully, I can inspire you to love these wild animals that have been my life and to inspire you to help conserve these wild animals and their habitats for future generations.

Contact

www.greatwildlifephotos.com
l.starnes@charter.net
505-238-5445
775-384-3430
Click image for full size.
Lynn Starnes Jaguar Sneak
Jaguar Sneak
Lynn Starnes African Lion
African Lion
Lynn Starnes Approaching Mountain Lion
Approaching Mountain Lion
Lynn Starnes Bright Eyed Wolf
Bright Eyed Wolf
Lynn Starnes Tiger's Intensity
Tiger’s Intensity
Lynn Starnes Midas, NV
Midas, NV
Resting Chukar Lynn B. Starnes
Resting Chukar
Are You Mom Lynn B. Starnes
Are You Mom
Nevada Beauty Lynn B. Starnes
Nevada Beauty
2 Desert Bighorn Sheep Bedding Lynn B. Starnes
2 Desert Bighorn Sheep Bedding
Lynn B. Starnes Timber Wolf Howling
Timber Wolf Howling
Lynn B. Starnes Rams In Heights
Rams In Heights
Lynn B. Starnes Heavy Snow East Pyramid Lake
Heavy Snow East Pyramid Lake
Lynn B. Starnes Rearing Wild Pinto
Rearing Wild Pinto
Lynn B. Starnes Eye Of The Beholder
Eye Of The Beholder
Lynn B. Starnes Elk Cow With Newborn
Elk Cow With Newborn
Lynn B. Starnes Cross Legged Colt
Cross Legged Colt
Lynn B. Starnes  Colorado River at Sunset
Colorado River at Sunset
Starnes Lynn Burros1 Rgb
  • Making good imagery is about having the courage to step outside of yourself, releasing any tension and just having fun playing around.

  • As with anything I have done throughout the years, I jumped in to basketmaking with both feet and have tried most everything available. I have found you can make a basket out of almost anything.

  • Although I had always appreciated art in its various forms, I never attempted to try anything until several years ago when I took a class in glass fusing and from then on I was hooked.

  • With her unique ability of sharing her passion for art, Dee’s paintings instill the abstract realism to capture the light and shadows as well as an intriguing style that makes her paintings valued by many collectors.

  • My art consists of copper and brass media; it varies from flowers and plants to trays, plates, bowls, and wall hangings. Most of the materials have been rescued from the salvage yard.

  • I love the reflections of glass and the colors, just as water reflects and captures the intensity of a sunrise or sunset.

  • Clay can be rigid, forgiving, surprising, exciting, and frustrating. Even so, I live for the anticipation of kiln openings, when I have tried to control it all, but in the end, the clay, glaze and kiln have the final say.

  • Landscapes can reflect a wide spectrum of postures, expressions and emotions. Even though the landscape is an unmoving mass, ever-changing combinations of seasons, light quality or time of day brings constant change.

  • To me, realism is magic. Not only is the artist working with abstraction of design and color, but also with dimensionality. To create the illusion of depth and form on a flat surface is to observe, understand and recreate the physical aspects of light.

  • I enjoy designing landscapes, flora and fauna and hope to start adding structures and building in my quilts soon.

  • While continuing to paint and work in various forms of sculpture, my current focus is in papermaking and related fiber and book arts. Visitors to my Studio will have the opportunity to become personally involved in the process of making Handmade Paper from start to finish.

  • I am a 45 year resident of Nevada and have lived all over the world. My work is influenced by the sights and cultures of Europe, Asia, and the South Pacific as well as all corners of the United States.

  • My name is Jim Annis and I am the owner of Your Family Rocking Chair. I am building a legacy for my family and yours, based on the values of family, fine craftsmanship and heirloom quality furniture.

  • JoAnn Lippert travels the world combining a passion for adventure travel and photography. Her passion for mountain climbing, trekking and whitewater rafting has taken her to all corners of the earth.

  • I strive to create a wearable piece of jewelry that embodies a sense of harmony in color, style and tone and I thrive on the challenge of creating a necklace where all of the various parts compliment one another.

  • I find the process of creation with glass an endless stream of possibility. The materials, methods and techniques that can be used are varied and vast. Everyday I find a new technique to add to my list of future projects!

  • I’ve always enjoyed doing all kinds of craftwork from working with wood and needlework to beading and glass. I’ve been hooked on glass since the 1980’s when I took my first stained glass class.

  • At Meridian Press, up the big hill from the Truckee River in the shadow of the Sierra Nevada mountains, Katherine Case hand-sets metal type and prints on an antique SP-15 Vandercook proof press.

  • Since my earliest airplane flights those forms and patterns have found their way into my designs. For years I focused on art glass, starting with leaded glass and then fused glass and etched glass. Recently I have been spending more time making jewelry.

  • The phrase “no job is too big or too small” certainly applies to my work as I have worked on all scales, including 1200sf of mosaic mural for the pools at the Peppermill, down to the small inspirational plaques that I make on a daily basis and take to local festivals.

  • After raising my son I became committed to re-exploring my love of painting. I began watercolor classes in February of 2008 and have been actively painting since.

  • I create ceramic wall art, as well as oil paintings. My art invites viewers into my memories so that hopefully, they, too, can appreciate the intricate connected beauty of the patterns and colors that surround them

  • I consider myself to be wildlife “portrait artist.” Whenever a photographer makes a portrait, timing is of great importance. The expression of the subject will make the difference between a successful and unsuccessful photograph.

  • Because I love color and the French Impressionists, I enjoy painting primarily using a palate knife. I love the spontaneity the palate knife gives when placing multiple colors on the canvas at one time.

  • Pam Sutton creates handmade glass jewelry, plus items for the home and garden. She believes in elegance through simplicity, combined with a focus on functional use.

  • I feel called to make art. To see the look on people’s faces, the lit up smiles, the awe when they see my pieces, especially on the larger pieces with LED lights.

  • Throughout all these years and experiences I’ve always found clay to be the most enjoyable way to express my imaginative view of life. I hand build my pieces and it’s their quirky imperfections that inspire new ideas.

  • Creating mosaics and painting on location are my passions. I have been fortunate to pursue those interests during the last several years while living in some incredible locations and raising my 3 sons. My muse is the landscape and its flora and fauna.

  • I am a graduate of UCLA with a degree in studio art. While at UCLA I studied with Richard Diebenkorn, who greatly influenced my development at an artist.

  • Most of my work is very linear and precise with close attention to detail and finishing. And of course I like to add occasional whimsical creations.

  • The big Nevada skies, the rainbow of western mountain ranges and the huge palette of summer flower are the inspirations for my silk paintings. Working with silks and dyes has given me the perfect way to illustrate the world as I see it.